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Respond to one of the following prompts with a paper of roughly 1000-1200 words. In this assignment, you should focus less on an original interpretation of the literary work in question than on the precise definition and application of theoretical concepts (though some interpretation is unavoidable). To this end, a successful paper will do the following: Use specific terminology from the essay(s) in question Include quoted citation(s) from a theorist Include quoted citation(s) from the literary work in question Conceptually, you can think of this essay as answering the following question: “How does [theoretical concept X] work in [literary text Y]? A successful paper will answer this in a precise and accurate way, using clear, readable, error-free prose. Because this essay is on the brief side, you should avoid lengthy introductions and conclusions–get to the point as quickly as possible. You should choose one of the following poems (if you wish to choose a different poem, please clear it with me first): Elizabeth Bishop, “Questions of Travel” (http://www.poemhunter.com/poem/questions-of-travel/ (Links to an external site.)) H.D. (Hilda Doolittle), “Sea Rose” (http://www.poetryfoundation.org/poem/177769 (Links to an external site.)) Seamus Heaney, “Death of a Naturalist” (http://www.poetryfoundation.org/poem/247814 (Links to an external site.)) William Carlos Williams, “To a Poor Old Woman” (http://www.poetryfoundation.org/learning/guide/236558#poem (Links to an external site.)) Option #1: Drawing on one of the above poems, explore how the poem uses poetic elements to achieve a defamiliarization of its subject matter. Discuss the elements used to accomplish this effect with detail and precision, be they sound, repetition, line arrangement, connotative meaning, metaphor, or any other poetic device. Comment upon the meaning generated through the poetic process of defamiliarization. Option #2: Explore some ways in which one of the above poems expresses Saussure’s model of the sign? Some aspects you might consider are: the arbitrariness of the signifier, the distinction between langue and parole, and/or the paradigmatic/syntagmatic axes of signification. Note: you may cite either Culler or Saussure in this essay. chose one of these options

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